Tom M. Riddle, Lord Ostium of the House of Arch (
riddleofthebelow) wrote2020-09-07 07:36 pm
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PFSB
The next time Tom enters the bar, he turns round to the portal painting first thing. When he steps away, the rabbits playing poker look much more like proper rabbits instead of rabbit-shaped former canines. He steps back, regarding it, and nods his head. Much better.
Then he takes his stack of research with him to a table and orders a scotch. While Wei Wuxian indeed broke the ward on the mysterious scroll, and Tom was able to translate it, it still makes no sense. He has old maps of London Above to scour for clues today, because the existence of scroll is still bothering him. He doesn't think it's malevolent, but he's even more convinced that there is no logical reason to have found it in the Underside.
Not that the Underside is very logical. You know what he means.
Then he takes his stack of research with him to a table and orders a scotch. While Wei Wuxian indeed broke the ward on the mysterious scroll, and Tom was able to translate it, it still makes no sense. He has old maps of London Above to scour for clues today, because the existence of scroll is still bothering him. He doesn't think it's malevolent, but he's even more convinced that there is no logical reason to have found it in the Underside.
Not that the Underside is very logical. You know what he means.
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They do not reach the ceiling! Tom has gotten so much better about that!
Children's books, both Muggle and magical, are scattered about on the squashy avocado green sofas that make the shape of a u in the middle of the room. They are also stacked on the floor. Portico and Egress are learning terrible book handling habits from their father.
The magical section takes up two large shelves, but the oldest and most interesting (or nefarious) tomes are in Tom's personal study, which has its own painting on the wall that may be chimed.
"Here we are. Oh. Erm. Please excuse the mess. We make use of this room on a regular basis."
He takes out his wand and waves it to straighten at least a few of the stacks into less haphazard towers.
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With a keen interest, he watches Tom charm the books back into place, then turns his attention to the shelves, hands folded behind his back. Many of the bindings are thicker, more rugged than other books he's seen, with prominent labels and no exposed sewing; as always, he waits patiently until the inn works its magic, the text blurring as if smudged by water and reforming in a legible language.
Lan Zhan would love this, he catches himself thinking.
A title catches his eye. Curious, he pulls A Guide to Advanced Transfiguration from the one of the shelves housing the magical books and flips it open.
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He's pretty sure he's going to ask Wei Wuxian if he'd like access to the House of Arch once they go back to Milliways. He'll key him to this room in a heartbeat.
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Everyone who knew Wei Wuxian during his studies at Cloud Recesses would have no idea what to make of the eager light in his eyes. The difference, of course: Cloud Recesses was boring. Why read book after book about rules and tradition and every speck of minutiae when you could be learning about a whole new cultivation system?
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He shrugs, because every book is a useful book, even the darkest ones, the ones that scream when you open them. So long as you treat them with respect and carry the darkness, instead of letting it carry you.
"It doesn't serve you, in my experience. I have even more magical content in my study. It's more restricted than what's on view here, because children and guests don't necessarily need access to it."
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He snaps the book closed.
"I will content myself with these for now, but if you deem me worthy to look at the restricted material as well, I would consider it a great honor."
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He laughs. "Come and see."
Walking over to the painting, he offers an elbow to Wei Wuxian once again. When they step through the portal, they are in his 50's era study, in a room with stone walls and a view out the window into a cold winter morning long past. This room is no tidier than the library, from the stacked shelves containing the oldest books and scrolls to the blocky wooden desk that is covered in quills and parchments, open books with notes scribbled in the margins. But there is an organized chaos here; Tom knows exactly where everything is.
There's a sofa in the cozy space as well, and Tom's collapsed on it more than one evening researching here when he could no longer evade sleep.
His white owl, Galatea, perches on her post by the window, preening her feathers. There's a crackling fire in the hearth.
"I hope it's warm enough. We keep the fire going because this rooms tends to stay cold." He prefers it. It keeps his mind sharp.
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"It is fine," he says. His eyes light up with wonder at the owl; cautiously, he approaches the perch. "Is she yours?"
A true owl for company, not the dire owl of the Wen clan -- this is fascinating.
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"Yes, owls are familiars in the Wizarding world, and carry our mail and messages. Do you have familiars? That is, animals that are magically significant companions?"
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Wei Wuxian fishes out a treat and offers it to the owl between pinched fingers.
"We do not have companions like these. Our messengers are spiritual constructs. One of the Great Sect leaders had a dire owl, but it was to a living owl as the moon is to the sun."
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"She's carried messages between worlds and dimensions for many years now. She's quite exceptional."
His snakes are his true familiars, but he's very proud of his owl.
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(To encourage her to put up with this indignity, he also gives her another treat.)
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"Yes, and she's clearly starved and deprived of any attention ever," he deadpans.
He's about to begin a run down of his current research, just in case Wei Wuxian might be even a little bit interested, when he's stopped by a movement out of the corner of his eye.
"Blast and damnation", he mutters under his breath as a rat with a message tied around its neck crawls out from under the corner of his desk.
"Excuse me for a moment, please. While the Wizarding world uses owls for messengers, rats or pigeons are the conveyance in the Underside. Duty calls."
He's not as fluent in his understanding of pigeon or rat speak as he'd like, and he's relieved when this rat sticks to formalities he can easily track - a quick series of squeaks followed by it rearing up on its haunches and watching Tom expectantly. He removes the message - which appears to be written on the back of a long grocery store receipt - from around its neck, reads it, and frowns.
"Well, this is a spot of bother."
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When Tom speaks, though, he glances up in mild concern.
"What is it?" he asks.
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"Yes, Duke Longwhiskers, I understand the urgency. Please tell Lord Rat Speaker that I am on my way."
His lips press into a thin line once the rat scuttles back under the desk and on its way. He takes another deep breath and congratulates himself for not blasting the impertinent rat with a hex.
Then he turns to Wei Wuxian, and the conflict has passed; his face is cheerful once more.
"I have a situation I need to take care of immediately, I'm told."
He could leave the younger man here in the study. This will neither take long nor be much of a problem. Leaving someone in a room they can't escape when no one else knows they are there would be... a really, really bad idea. Of course he could also take the few minutes to return Wei Wuxian to Milliways, but where would the fun be in that?
"How would you feel about going with me on a quick errand into London Below?"
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In his excitement, he stops scritching Galatea for a moment. (Poor Galatea.) It is true that Milliways has provided ample opportunity for Wei Wuxian to keep himself busy -- especially since Lan Zhan has arrived -- but in the end, it is a single inn that does not even provide a chance to go to a nearby village for a time. A change of scenery does not sound unwelcome at all.
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While Tom is absolutely sure that he can handle anything that comes at them, there's always a risk of unpredictable danger when you take a step into London Below. It's better to be prepared.
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The fact that he must even ask that question! Sigh.
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He moves to the wall and presses his hand against the stone, closing his eyes and feeling for the door. Chalk Farm ought to be an easy, one way trip, but-
Not today.
"Bloody buggering fuck," he curses, absolutely done with this task and it's barely started. He just wants to sit down and talk magical research with his new friend, but noooooo, Lord Rat Speaker has to abuse his privilege, as usual, and come running for aid.
"We can't go straight there. I could do it, but it wouldn't be a safe path if I have someone with me. We'll get there in two phases."
He takes out his wand, holding it in his left hand at the ready. There are probably other warnings he should provide, but, Temple and Arch, it will be fine. There hasn't been a mysterious disappearance or unpredictable fatal event in Tom's presence in at least a year.
"Take my elbow again, and do please don't let go. For any reason. I'll let you know when we're there."
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Moments later, with another rush of magical energy, they land in a long, echoing tunnel.
He is surprised at first by just how much it echoes; the thump of their landing reverberates like thunder, rippling forward and back down the space. It seems infinite, in the dim light, though of course it cannot be. They stand on a platform covered with smooth ceramic tile. Next to them is a long trench laid with metal tracks. More colorful tiles, far smaller, dot the curving ceiling like stars.
And around them --
There are plants, softly glowing. Green splotches of lichen, blue mushroom caps, ivy of brilliant yellow fanning across the walls. They paint the tiles a deep, shadowy kaleidoscope of color; they stain his dark robes with purples and indigos. It is like a temple fallen to seed, but the traces of spiritual energy it left behind light the way even now.
Wei Wuxian's eyes are round with wonder, an awed smile on his face as he turns (without letting go of Tom's arm) to take it all in. He almost -- almost -- wants to step away and peer closer. Surely there would be no harm in it?
But he does not know all the dangers of this place, and so he does not let go.
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He presses his hand to a tile that is mostly free of fauna, and says "One more door."
They step from the verdant platform into the gloaming of a twilight from long ago. Chalk Farm in London Above has no naturally occurring chalk, as one might assume. It's name comes from the family who held the land for hundreds of years.
In London Below, Tom and Wei Wuxian now stand at the base of rolling hills interspersed with patches of bright white in their cliffs. They are not nearly as tall and dramatic as the White Cliffs of Dover, as there are bushes, trees, and grasses interspersed throughout the sheltered valley. The path under their feet glistens white where the grass doesn't grow.
"Right, things should be fine now; this is a fairly stable area. Don't wander out of sight, though. That's never a good idea here."
Tom looks around and hears raised voices coming from down the path where the land flattens out beside a fast running brook.
"Have you heard of hags? They are harbingers of bad tidings, usually." He grins. "As owls are often said to be. That's what we're dealing with here."
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"The situation is that this bit of the Underside housed a tiny fiefdom, but they've been absorbed into a larger barony. The Rat Speakers are moving in, and the hag, even though she was here first, has to be relocated because of complex and annoying politics. She's not going to be willing to go anywhere, but hags are easy to subdue."
They round a curve on the path and before them is a crowd of angry people yelling - at a safe distance - at a hag shrouded in gray tatters and brandishing a laundry bat. Bloodstained clothes from all different eras are laid out to dry on the bushes behind her.
The hag screeches, and Tom approaches her as the Rat Speakers mutter things like "It's about time" and "He'd better get this sorted" and "Lady Door's father was much better with this kind of thing".
Tom ignores them, practiced diplomatic smile plastered on - but only just - and turns all his attention to the angry creature standing in the shallow water.
"Madam Hag," he says, and the politeness and charm he conveys her way is genuine. "I'm afraid I must ask you to come with me now."
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Pulling the bamboo flute from his belt, he folds his arms and cocks his head as he surveys the situation. The hag shrieks again and swings her laundry bat, causing a few onlookers to gasp and leap back a few paces.
Without taking his eyes off the creature, Wei Wuxian leans to the man next to him and asks in an undertone, "How long has this been going on?"
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